Spoilers for the Bones S3 finale
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May. 31st, 2008 | 11:39 am
Watched Bones 3x15 and must say, HOLY RUSHED & RAGGED FINALE, BATMAN! 
It's not even that I thought the plot was crammed and too fast-paced, the suspence arc without amplitude, although these were disappointing. But I don't watch Bones for brilliant plots or the Agatha-Christie-style whodunit. Characterisation and motivation, however? That's where this show usually excels, and where I've come to expect a lot. Why this finale made me go, Wait, What?! Nameless Rasputin-y evil-doers who live in the shadows -- basements of mansions, tiled in black and white, oh-so-occult? Oh writers! -- but plan untraceable murders and enlist a young genius straight out of their midst? And then the lame misdirection with Hodgins! Puh-lease. I don't hate the idea of Zack as the Apprentice, of having been approached just after Iraq. It's just that if I had been a writer, I'd have used cues from earlier seasons and left breadcrumbs left and right -- nothing plot-related, mind you, just the smoking guns of characterisation. I'd have used his general personality and beliefs and of course hidden trauma after fighting in a cruel war, which in someone like Zach might manifest differently.
Mostly, admittedly, I'd have needed ABOUT SEVEN MORE EPISODES. I've seen shortened and less satisfying arcs in my other shows now, but boy, the Writers' Strike really made the showrunners screw up. I think the wise and sensible decision would have been to just let Gormagon be for another season -- wrap it up with a spectacular case file, only one small reminder of the cannibal case, and pick it all up again next season, with enough time to develop everything. Everything meaning the characters in question, of course.
(I did sniffle upon seeing Brennan touch foreheads with Zack. Oh, Temperance: You loved that boy; you got him like no one else, not even his best buddy Jack.)
If you have written about the Bones finale -- please, slap a link (no html necessary) into the comments to this post?
It's not even that I thought the plot was crammed and too fast-paced, the suspence arc without amplitude, although these were disappointing. But I don't watch Bones for brilliant plots or the Agatha-Christie-style whodunit. Characterisation and motivation, however? That's where this show usually excels, and where I've come to expect a lot. Why this finale made me go, Wait, What?! Nameless Rasputin-y evil-doers who live in the shadows -- basements of mansions, tiled in black and white, oh-so-occult? Oh writers! -- but plan untraceable murders and enlist a young genius straight out of their midst? And then the lame misdirection with Hodgins! Puh-lease. I don't hate the idea of Zack as the Apprentice, of having been approached just after Iraq. It's just that if I had been a writer, I'd have used cues from earlier seasons and left breadcrumbs left and right -- nothing plot-related, mind you, just the smoking guns of characterisation. I'd have used his general personality and beliefs and of course hidden trauma after fighting in a cruel war, which in someone like Zach might manifest differently.
Mostly, admittedly, I'd have needed ABOUT SEVEN MORE EPISODES. I've seen shortened and less satisfying arcs in my other shows now, but boy, the Writers' Strike really made the showrunners screw up. I think the wise and sensible decision would have been to just let Gormagon be for another season -- wrap it up with a spectacular case file, only one small reminder of the cannibal case, and pick it all up again next season, with enough time to develop everything. Everything meaning the characters in question, of course.
(I did sniffle upon seeing Brennan touch foreheads with Zack. Oh, Temperance: You loved that boy; you got him like no one else, not even his best buddy Jack.)
If you have written about the Bones finale -- please, slap a link (no html necessary) into the comments to this post?
(no subject)
from:
grimorie
date: May. 31st, 2008 09:55 am (UTC)
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It was just... what?
Pretty much what you said here is what I said in my reactions too.
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from:
monanotlisa
date: May. 31st, 2008 10:02 am (UTC)
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from:
grimorie
date: May. 31st, 2008 10:06 am (UTC)
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from:
villainny
date: May. 31st, 2008 10:18 am (UTC)
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*fistbumps sadly*
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from:
monanotlisa
date: May. 31st, 2008 10:31 am (UTC)
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Exactly! Yes, I could totally see it when I squinted. *wry grin* But writers, please, can I have some MORE?
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from:
amireal
date: May. 31st, 2008 10:26 am (UTC)
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from:
monanotlisa
date: May. 31st, 2008 10:30 am (UTC)
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Oh, Christ. I weep for the missed opportunities even more now!
Perhaps it was something external like that -- but c'mon, how expensive could the actor who plays Zach have been? Could even have made it a half-season arc if you were inclined to not spend more than planned (and those original eps must have been in the budget, long before the Writers' Strike).
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from:
astridv
date: May. 31st, 2008 11:30 am (UTC)
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Apparently, according to a post-ep interview, Hanson is pleased with the fan reaction because people are talking, and people talking about ep = good, no matter what is actually being said. Personally, I don't subscribe to "there's no such thing as bad publicity".
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from:
monanotlisa
date: May. 31st, 2008 02:02 pm (UTC)
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And oh, I so agree with you there. That phrase needs to disappear out of producers' heads.
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from:
yahtzee63
date: May. 31st, 2008 12:08 pm (UTC)
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I still feel this way -- that "Bones" supported the Zach reveal on its own terms -- but have also come to believe that, in some ways, the reveal was something that couldn't really be done on "Bones" terms, because something heavy and twisty in that way is just not in the show's usual vocabulary. I still like the episode, which has some beautiful feints and subtleties and amazing acting, but I get why the twist failed for fandom as a whole.
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from:
monanotlisa
date: May. 31st, 2008 02:06 pm (UTC)
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the reveal was something that couldn't really be done on "Bones" terms, because something heavy and twisty in that way is just not in the show's usual vocabulary.
Because it's, at heart, a very sweet show, you mean? For all the drama and procedure and grisly bits, there's always been this true and real connection between the core characters; I guess Season Three changed that irrevocably in some ways.
I still like the episode, which has some beautiful feints and subtleties and amazing acting
Actually, everything but the Gormagon reveal was great, I thought -- the fake funeral! The bathtub scene! Angela & Brennan! And even that part could've been good, given more time and more build-up of a character sort, perhaps not just re: Zack and how he relates to others but also by building up the villain. God, remember the times with Arvin Sloane? I'm not a J.J. Abrams fan per se, but that -- kudos. You understood why people fell for him, were fascinated, believed and trusted again and again.
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from:
yahtzee63
date: May. 31st, 2008 04:08 pm (UTC)
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Actually, I don't think it's changed that at all -- how many shows would reveal a character to be accomplice to a serial killer and then go on to demonstrate that all the other regulars still love him terribly? Fairly few, I think; even Cam's anger clearly came from a place of pain.
JJ has the rare gift of building incredibly complex characters AND constructing the plots that will show those characters to their best advantage. The "Bones" people have created wonderfully compelling characters, but when it comes to plotting, we're watching a show where, 90% of the time, the killer is the second person Brennan and Booth talk to during questioning. The writers executed this plot turn with a lot more backup than virtually anything else they've done on the show, which ultimately wasn't enough to convince fans when it came to a beloved character.
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from:
monanotlisa
date: May. 31st, 2008 04:46 pm (UTC)
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They love him, they really do, and your comment about Cam makes sense to me. But at the same time, I cannot imagine a group of people with such strong ties and such rigid outlooks on life not being negatively affected by the experience of someone they trusted committing or at least abetting murders -- we saw the highlights of their reactions, their shock and horror, and while that's not my way of looking at it, I'm sure there are fans who would describe this as a loss of innocence.
I liked J.J.'s approach in the early seasons and found his bag o' tricks both entertaining and innovative, but at the same time, he never struck me as a genius plotwriter -- he gave us a most suspenceful spy thriller, absolutely, but his storylines weren't all that layered or complex; fanfic writers did so much better with additional meta levels.
His characters, though? Absolutely; those were exceptionally well-rounded, the villains especially. So yes, I agree that his ability to match plot with character development was excellent.
Heh. Alas, 'tis true.
I think the latter plays into the reaction of some fans, but as someone without any particular attachment to Zach who's been -- and seen others of that category -- less than convinced still, I doubt that's the deciding factor. And the fact that this was somewhat better executed than the usual Bad Guy reveal...well, it ain't that much. & ;-)
That said, I am very much looking forward to the next season!
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from:
mandysbitch
date: May. 31st, 2008 12:10 pm (UTC)
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from:
monanotlisa
date: May. 31st, 2008 02:08 pm (UTC)
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from:
aurora_84
date: May. 31st, 2008 12:34 pm (UTC)
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It really really did. :((
(My, um, reaction, which consists of 90% capslock. :|)
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from:
monanotlisa
date: May. 31st, 2008 02:08 pm (UTC)
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from:
kangeiko
date: May. 31st, 2008 12:44 pm (UTC)
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from:
monanotlisa
date: May. 31st, 2008 02:08 pm (UTC)
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from:
queenspanky
date: Jun. 2nd, 2008 10:25 am (UTC)
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from:
12_12_12
date: May. 31st, 2008 01:55 pm (UTC)
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Ideally, this is what I would have gone for, too. I wasn't particularly invested in Zach as a character, so this didn't hit me as hard as it did many fans. But yeah, giving it about 6 more episodes for clue-building and another 6 for the emotional aftermath would have been great.
*prays for the actors' strike to be averted*
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from:
monanotlisa
date: May. 31st, 2008 02:10 pm (UTC)
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wasn't particularly invested in Zach as a character, so this didn't hit me as hard as it did many fans. But yeah, giving it about 6 more episodes for clue-building and another 6 for the emotional aftermath would have been great.
Yes, or they really could have shown us less aftermath...but a mid-season reveal would have worked nicely that way. Structurally interesting, almost Jossian, you know? Of course that kind of Little Bad is hard to top with a Big Bad. *g*
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from:
12_12_12
date: May. 31st, 2008 02:17 pm (UTC)
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Really? OMG YAY.
Yes, or they really could have shown us less aftermath...but a mid-season reveal would have worked nicely that way. Structurally interesting, almost Jossian, you know?
Yeah, but Bones is not exactly...structurally innovative. It's satisfying and consistent and reliably entertaining, but Jossian it is not. :D
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from:
monanotlisa
date: May. 31st, 2008 02:26 pm (UTC)
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Heh, true. & :-)
And I did read it in a link! Google?
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from:
12_12_12
date: May. 31st, 2008 05:21 pm (UTC)
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And re: the actors' strike--just Googled, and it is possible that the SAG actors (this is by far the biggest union) will strike, but less likely now that AFTRA (a smaller union) has struck a deal with the networks in the past few days.
*gnaws fingernails*
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from:
hermine
date: May. 31st, 2008 06:02 pm (UTC)
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from:
monanotlisa
date: May. 31st, 2008 06:12 pm (UTC)
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That was totally in need of both telling and showing, yeah -- as I said above in a comment, Gormagon would have needed to be built up as a genius supervillain (which would have been in line with the cartoon-ish touch of this show anyway) so that this appeal to Zack would've made emotional sense, yeah.
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from:
gwyn_r
date: May. 31st, 2008 06:42 pm (UTC)
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Maybe I've just been a writer and editor for too long, or something. It long ago affected my ability to suspend disbelief for most things, and it's hard for me to accept what I see as bad writing that could be fixed, to find any entertainment value in it. All I could think when I watched this was that the actor's long faces weren't for the storyline, weren't acting -- they were for the painfully bad writing and plot development and character assassination.
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